By Brian Soergel
Boney James has a cool name, a funky sound and an appealing look
that exudes both qualities the moment he struts on stage sporting
his trademark fedora (or beret).
“I don't know if people remember, but my hair
used to be very, very long,” James said. “If I'd be playing outside
at a jazz festival, the wind would blow it around and it would get caught in
my mouth while I was playing. So I started wearing the beret just to keep the
hair out of my face. And at some point, I started wearing the fedora, I guess
back in about ‘98 or ‘99. I started thinking about other hats,
and I put this thing on and people responded to it so much, like, ‘you
look really cool in that hat.’ I just kept wearing them, and now all
of a sudden it's sort of slowly become this part of my image. I almost feel
like a character, a different person when I put my hat on.”
James will surely be in “character” when
he headlines three major festivals this month: the 19th Annual VF Outlet Berks
Jazz Fest in Reading, Pennsylvania, on April 4; the 11th Annual Seabreeze Jazz
Festival in Panama City Beach, Florida, on April 19; and the Las Vegas City
of Lights Jazz and Rhythm & Blues Festival in Nevada on April 25.
Seventeen years after releasing his debut CD, Trust,
the 47-year-old saxophonist decided to record what many of his contemporaries
have done, often more than once––a covers CD. But Boney being Boney,
he shaped his 11th solo CD his own special way. The result is Send One
Your Love, a collection of six of his favorite love songs in addition
to four new original ones.
“There are so many make-out songs, so I asked
friends for their favorites,” James said. “That's why I did a lot
of covers. But I was still writing songs that I loved, too, so it was important
to also include those. So it's not a full-on covers record.” And the
result isn't simply a scattershot selection. “I always just kind of start
working on tunes and maybe I'll do a cover or two, just sort of randomly let
it all flow out. At some point when I'm almost done I'll think, ‘OK,
it's this kind of record.’”
But James sought to shake it up for Send One Your
Love, as he wanted a whole record reflecting elements of his sound. That
sound, as his fans know, is a sexy, low tone that he pulls out of the tenor
sax.
“It made me think about some other records by
people who had a similar sound in the vocal realm, like Marvin Gaye and Barry
White. Some of their records were obviously made to be make-out records. That
was really the whole motive for my album.”
But the 47-year-old saxophonist knew that many hold
a negative connotation toward instrumental versions of famous songs.
“Sometimes I can understand it,” he said, “because
a lot of them aren't too creative. It was important to me that my covers be
different, to bring something fresh to the table. So on a tune you might not
have liked before, you might dig my version because I tried to recreate each
song as if it were something I had written myself. Even though the melody was
already there, I could mess around with the groove or change the chords, adding
all these different elements.”
It's apparent he succeeded with the first single, “Stop,
Look, Listen (oo Your Heart),” as it quickly soared to the top of the
smooth jazz charts, continuing in James' streak of No. 1 songs. The original
version was famously recorded by the Stylistics and the tandem of Marvin Gaye
and Diana Ross.
“The melody is pretty much the same, but the
whole feel of the song is different from other versions, and I don't think
anyone's ever done an instrumental version. I wanted to come at it a different
way, aside from the fact that it was a saxophone playing the melody.”
James has lost track of his No. 1 songs, as he says
he's had “18 or 19.” We do know, however, that he scored three
with his last CD, 2007's Shine: “The Total Experience,” “Hypnotic” and “Let
It Go.”
Send One Your Love gets it title from the
Stevie Wonder song. James also covers John Klemmer's “Touch,” Barry
White's “I'm Gonna Love You Just a Little More Baby,” the Brothers
Johnson's “I'll Be Good to You” and James Taylor's “Don't
Let Me Be Lonely Tonight,” which features new vocalist Quinn. The original
songs are “Wanna Show U Sumthin',” “Hold On Tight,” “Butter” and “City
of Light.”
If history is any guide, Send One Your Love should
cement James' status as one of the most popular players in the smooth jazz
scene, and one of the few still able to move more than 100,000 CDs with each
new release. (Two of his CDs, Sweet Thing and Body Language,
both sold more than 500,000 copies each in the United States, earning them
Gold Record status.) With the well-documented downturn in CD sales, however,
even James is feeling the pain. Although Send One Your Love debuted
at No. 1 on Billboard's contemporary jazz chart after selling almost
9,000 copies its first week, that was considerably lower than Shine,
which moved more than 19,000 copies in 2006, and Pure, which sold
17,000 its first week in 2004. James is well aware that artists are selling
fewer physical copies of their CDs as the music business model moves into digital
sales, but he said he can only do what he keeps doing**
**The complete story can be found in the April issue of Smooth Jazz
News. Subscribe today. Receive 11 editions of Smooth Jazz News per year,
mailed monthly (except January), for $35.
For more information on James, including his complete
tour schedule, visit www.boneyjames.com.
ON TOUR
April 4, 7:30 p.m.
19th Annual VF Outlet Berks Jazz Fest
Scottish Rite Cathedral
310 7th Ave.
Reading, Pennsylvania
www.berksjazzfest.com
April 19, 7 p.m.
11th Annual Seabreeze Jazz Festival
Pier Park Amphitheater
600 Pier Park Dr.
Panama City Beach, Florida
www.seabreezejazzfestival.com
(850) 267-3279
April 25, 7:30 p.m.
The 17th Annual Las Vegas City of Lights Jazz and Rhythm & Blues
Festival
Clark County Amphitheater
500 Grand Central Pkwy.
Las Vegas, Nevada
www.yourjazz.com
(800) 969-VEGAS
(310) 671-6400
July 25, 7 p.m.
The 21st Annual Thornton Winery’s Champagne Jazz Series
32575 Rancho California Road
Temecula, California
www.jazzconcerts.com
(951) 699-3021
DISCOGRAPHY
1992 Trust (Spindletop)
1994 Backbone (Warner Bros.)
1995 Seduction (Warner Bros.)
1996 Boney's Funky Christmas (Warner Bros.)
1997 Sweet Thing (Warner Bros.)
1999 Body Language (Warner Bros.)
2000 Shake It Up [With Rick Braun] (Warner Bros.)
2001 Ride (Warner Bros.)
2004 Pure (Warner Bros.)
2006 Shine (Concord)
2007 Christmas Present (Concord)
2009 Send One Your Love (Concord)
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